We’d previously been to see a production at the Theatre Royal, but there’d been a BIT of gap between yesterday evening and the last time we were there… just a FORTY-FOUR YEAR gap!!
On the face of it, the idea of going to see a play about the Church of England (the establishment church?), society, politics, morality and such like might not seem like the best way to enjoy a Friday evening… but that was far from the case. David Hare was a playwright who emerged from the left-wing theatre movement of the 1960s and 70s… someone who was clearly angered by the injustices, as he saw it, of the capitalist system and wanting to see a ‘fairer society’.
Yes, whilst the play was inevitably ‘dated’ on some matters (eg. regarding the ordination of female bishops and references to the poll tax), it felt very much a play of ‘our time’ – touching on such secular matters as (in addition to the spiritual): austerity; the ‘haves and have-nots’ of society; justice; morality; domestic violence; listening to and supporting people who feel they have no voice… and at a time when many still question the relevance of the Church in today’s world.
When he wrote the play, in the late 1980s, Hare felt that the Anglican Church provided subject matter that was archetypically English and, at worst, represented an old-fashioned institution, stuck in its dogmatic ways and struggling to adapt to ‘modern life’. From the programme notes, it appears that Hare respected many of the clergy he met in his researches, but was conscious of the best of them being “up against a bureaucratic system that worked in opposition to their talents”… with the Church appearing to have become increasingly irrelevant, “debating arcane matters of doctrine instead of looking outwards to fulfil the community’s spiritual needs”.
The play proved to be provocative, challenging, thought-provoking and, as far as we were concerned, still highly relevant today.
One of the prime reasons for going last night was to watch our lovely actor friend Sam Alexander perform…. and he didn’t disappoint (in his role playing Revd Donald ‘Streaky’ Bacon!).Indeed, the whole cast were excellent… with David Haig quite brilliant as Revd Lionel Espy and Paapa Essiedu very impressive as the curate, Revd Tony Ferris.
A really excellent evening.
Photo: Paapa Essiedu as Revd Tony Ferris.